LOCALFONTS INTERVIEW
Questions: Stefan Peev
21 October 2020
Spacetype
Stan Partalev and Mirela Belova from the independent type foundry Spacetype talk about their very first common font family – Gogh which covers a broad spectrum of languages, including extended Latin and Cyrillic.
A typeface should be visually appealing and technically sound
We believe that type designers need to create products that they themselves would use. As we work on many other projects, we wanted a font that can be easily used in many contexts. This is how the font idea was born. We wanted it to be easily readable and at the same time usable for headlines.
Exhibition
21 October 2020
Embassy of the Republic of Korea in Bulgaria
International Triennial of Stage Poster
Korean Brand Design Association
An exhibition of Hangul and Cyrillic collection of posters
POSTERS & LETTERS
HANGUL & CYRILLIC
October 24 – October 29, 2020
From October 24 to 29 in the main hall of the Gallery of San Stefano you will be able to see the exhibition “POSTERS & LETTERS / HANGUL & CYRILLIC”, presenting posters inspired by the Korean script “Hangul”.
The Korean Brand Design Association uses HANGEL as a starting point to invite authors from South Korea and around the world to create posters on the subject. The result is an extremely rich and diverse collection that explores the role of the written sign as a source of inspiration and artistic provocation, providing unlimited opportunities for contemporary visual reading.
Among the exhibition stand out the three posters of the talented current Bulgarian visual artist – Ivan Kashlakov, recently awarded a number of awards for graphic design, including that for a young Bulgarian poster artist “Assen Stareishinski”, presented by the International Triennial of Stage Poster.
The exhibition is organized on the initiative of the Embassy of the Republic of Korea in Bulgaria together with the International Triennial of Stage Poster and the Korean Brand Design Association.
LOCALFONTS INTERVIEW
Questions: Stefan Peev
15 October 2020
Fontfabric
Svetoslav Simov (CEO and founder, on the left) and Plamen Motev (type director, on the right) from the renowned Bulgarian type studio Fontfabric share their thoughts on the popularization of the Bulgarian Cyrillic and the key presence of the local type craft in the evergrowing font scene.
The Bulgarian type craft belongs on the global stage
Fontfabric thrives as an independent digital type foundry dedicated to crafting premium typefaces for over 12 years now. Drawing inspiration from both analog and digital typography practices, a compact team of talented designers aims to create future-proof fonts for exceptional projects and leave a legacy for generations to come.
LOCALFONTS INTERVIEW
Questions: Stefan Peev
22 September 2020
Letter Collective
Interview with Todor Georgiev and Jaklina Jekova, founders of the Letter Collective creative studio in Bulgaria, share their experience about creating fonts and their latest project, the font GRAFEMA.
Letters must come from our hands
The ideas for fonts are most often conceived as calligraphic or lettering experiments. Our concept at Letter Collective is based on the idea that letters must come from our hands, the instrument with which you write and draw. That being said, we do a lot of sketching before we start to build or transfer the letters into some kind of software.
Spacetype
Letter Collective
Letters must come from our hands
Interview
Fontfabric
Editor: Stefan Peev
Book cover design in Bulgaria during XX century
Virtual Exhibition
Чавдар Мутафов
Есе
Vasil Stanev
Viktor Kharyk
Old Slavic alphabets and new fonts
Presentation
Viktor Kharyk
Botio Nikoltchev
Stefan Peev
Article
LOCALFONTS
10 October 2020
Virtual Exhibition
Book cover design in Bulgaria during XX century
The section presents covers of Bulgarian editions created in the XX century. The virtual exhibition is intended for type drawers that want to explore the development of the Bulgarian Cyrillic type form in the last century, but also the section in intended for graphic designers and book lovers.
Master classes
21 October 2020
Letter Collective
Todor Georgiev and Jacklina Jekova from Letter Collective creative studio offer free calligraphy practices on their website.
The art of beautiful handwriting and calligraphy
Todor Georgiev and Jacklina Jekova (Letter Collective) offer a series of classes suitable for everyone interested in the art of beautiful handwriting and calligraphy. Class A is free and perfect for beginners who want to learn the basic parameters in typography and the basic lowercase letters of the Latin and Cyrillic alphabet. The calligraphic tool in this class is a flat brush. See more on Letter Collective’s website.
LOCALFONTS
10 October 2017
Vasil Stanev
Letterbats – a union of fine and typographic art
Letterbats are а special case of dingbat fonts – they consist not of images like pictograms or icons, but of pictures drawn to resemble a glyph, most often a letter.
LOCALFONTS
10 October 2017
Stefan Peev
Capital sharp S (ẞ; German: großes Eszett) is the majuscule (uppercase) form of the eszett (also called scharfes S, ‘sharp s’) ligature in German orthography (ß).
