(EN) The quick brown fox jumps over the lazy dog. (NL) Op brute wijze ving de schooljuf de quasi-kalme lynx. (CS) Nechť již hříšné saxofony ďáblů rozezvučí síň úděsnými tóny waltzu, tanga a quickstepu. (HU) Jó foxim és don Quijote húszwattos lámpánál ülve egy pár bűvös cipőt készít. (RO) Înjurând pițigăiat, zoofobul comandă vexat whisky și tequila. (RU) Разъяренный чтец эгоистично бьёт пятью жердями шустрого фехтовальщика. (BG) Огньове изгаряха с блуждаещи пламъци любовта човешка на Орфей. (SR) Фијуче ветар у шибљу, леди пасаже и куће иза њих и гунђа у оџацима. (EL) Ταχίστη αλώπηξ βαφής ψημένη γη, δρασκελίζει υπέρ νωθρού κυνός. Type your own text to test the font!
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“The font imitates the Gospel headset of the Moscow Printing House, which was used mainly for the collection of the liturgical Gospel-Tetra, and sometimes Horologions or Psalters (printed with the same headset).
Made mainly on the basis of scans of the Gospel of 1651, and also partially of the Chasovnik of 1641 and the Psalms of 1653; capital letters “green”, “er” – “yat” and “xi” – “izhitsa” I did not find in the 17th century editions, so I had to take them from the evangelical headset of the Fedoseyevskaya Transfiguration printing house, most similar to this one. When developing, I tried to match the original glyphs as closely as possible, with one exception: I leveled capital letters in height. The encoding is the same as in my other fonts.
An example of the use of this font is an exact re-typing of the Gospel of Radishevsky in 1606. However, in fairness it should be noted that in the 1606 edition a headset was used, slightly different from this one.” (Constantine Spektorov)
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Vector reconstruction of Glagolitic Letters, Cyrillic Letters and Ornaments
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