(EN) The quick brown fox jumps over the lazy dog. (NL) Op brute wijze ving de schooljuf de quasi-kalme lynx. (CS) Nechť již hříšné saxofony ďáblů rozezvučí síň úděsnými tóny waltzu, tanga a quickstepu. (HU) Jó foxim és don Quijote húszwattos lámpánál ülve egy pár bűvös cipőt készít. (RO) Înjurând pițigăiat, zoofobul comandă vexat whisky și tequila. (RU) Разъяренный чтец эгоистично бьёт пятью жердями шустрого фехтовальщика. (BG) Огньове изгаряха с блуждаещи пламъци любовта човешка на Орфей. (SR) Фијуче ветар у шибљу, леди пасаже и куће иза њих и гунђа у оџацима. (EL) Ταχίστη αλώπηξ βαφής ψημένη γη, δρασκελίζει υπέρ νωθρού κυνός. Type your own text to test the font!
Text Samples
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“Kliment Std” is a Unicode 13.0 TrueType font especially for Slavic Medievalists. It can be used by Macintoshes running OS X, Windows PCs, on iPads – one file, all platforms. Historical forms of Cyrillic letters for writing Old Church Slavonic, Old Russian, Old Bulgarian, Old Serbian etc. including superscripts.
Automatic transliteration of Glagolitic into Cyrillic.
West and East European Latin character sets.
Full set of combining diacritics – for use with any base character (titlo, kavyka, pokrytie, payerok, yerik = combining vertical tilde, vzmet, number signs, double tilde, double macron, long titla etc.).
Editorial symbols for marking up texts.
The perfect historical companion to our “RomanCyrillic Std” font (and to Times® and Times New Roman®).
Current up to the Unicode standard v. 13.0 (2020).
The font is free for academic use by students and scholars. It is not in the public domain.
Design, Publisher, Copyright, License
Copyright 2008 by Dr. Sebastian Kempgen
License: Free for ACADEMIC use. The font is not in the public domain. No commercial use is allowed. Commercial version available from www.maccampus.de.
Sebastian Kempgen
German Slavicist Sebastian Kempgen was born in Duisburg in 1952 and works as a Professor of Slavic Linguistics at the University of Bamberg. He was always interested in historical alphabets and orthography and began to design Cyrillic and Latin fonts in the mid-1980s.
