The Neue Haas Unica™ family is an extended, reimagined version of the Haas Unica® design, a Helvetica® alternative that achieved near mythical status in the type community before it virtually disappeared. Originally released in 1980 by the Haas Type Foundry and designed by Team ’77 — André Gürtler, Erich Gschwind and Christian Mengelt— for phototypesetting technology of the day, the design was never successfully updated for today’s digital environments – until now. Toshi Omagari of Monotype Studio has given this classic a fresh, digital facelift with more weights, more languages and more letters to meet today’s digital and print needs.
Available in 18 styles, the Neue Haas Unica family is remarkably appropriate for a wide range of applications, possessing a delicate gradation of weights and clear character shapes. The family’s lighter weights are perfect for headlines and other large settings, as well as small blocks of copy at typical text sizes. The regular, medium and bold weights know no boundaries and the heavy and black designs are ideal for when typography needs to be powerful and commanding. Like the Neue Helvetica and Univers Next typefaces, the Neue Haas Unica family can be used just about anywhere – or for any project.
In addition to its 9 tailored weights and complementary italics, the Neue Haas Unica family also possesses additional characters for Eastern and Central European, Greek and Cyrillic language support (including localized forms for Bulgrarian Cyrillic Script – see them at MyFonts), which did not exist in the original design.
A cosmopolitan typeface for today’s modern, discerning design needs, the Neue Haas Unica collection is a new classic in the making—one that every designer should surely have at their disposal.
Design: Toshi Omagari
Copyright 2015 by Linotype. All rights reserved.
With a focus on multilingual typography, type designer Toshi Omagari has created fonts for several major brands and worked on some of Monotype’s most recent major type releases. He is a regular speaker at events like ATypI, sharing his experience and insights on multilingual type design.
Toshi Omagari joined Monotype in 2012, after studying typography at Musashino Art University in Tokyo, and completing an MA in typeface design at the University of Reading. With a keen interest in font development, Omagari has worked on several major type projects for Monotype including resurrecting a ‘lost’ typeface to create Neue Haas Unica and updating the hand of WA Dwiggins to create Metro Nova. He’s also designed a fashion-led branding typeface for H&M, and created a font for Sir Quentin Blake that borrowed on the illustrator’s own idiosyncratic handwriting.
- Specializes in multilingual scripts including Latin, Greek, Cyrillic and Mongolian
- Designed the Tibetan script for the Google Noto family, covering more than 800 languages
- Enjoys writing scripts and plugins for type design and sharing them on Github
Buy at: Fonts