CoFo Sans is a clean sans serif with a soul. This is not just another neutral sans. Simplicity in type design is the most difficult task, and yet so many sans serifs exists that claim to be completely neutral and perfectly universal. CoFo Sans is based on the idea of harmony between rationality and emotion, and between Latin and Cyrillic. It is our per-ception of a perfect balance between simplicity and personality. It’s not purely geometric, or even based on a specific model.
It’s a subtle mix of ideas, creating a solid base for a workhorse sans, without stripping away character. It’s simple and pure, and at the same time, you cannot escape the designer’s personal view. The strong squareness of the shapes and a trace of industrial functionality are mixed in the designer’s intuition, to make CoFo Sans unique. Simplicity doesn’t need dozens of weights, widths and styles, so CoFo Sans comes in 4 individual and carefully drawn weights: Regular, Medium, Bold and Black. It is a typeface for designers and brands looking for clarity and adaptability, without sacrificing identity.
Design: Maria Doreuli
Copyright 2018 by LLC Contrast Foundry (LLC CoFo). All rights reserved.
Specimen: CoFo Sans
My name is Maria. I was born in Moscow and I have spent most of my life there. My passion for drawing as well as collecting printed ephemera lead me to study graphic design at the Moscow State University of Printing, which is where I earned a Masters Degree. During my time there I explored different subjects within the art and design field, before discovering that the right place for me was the Type Design Workshop. At the workshop I worked on my graduation project, William Typeface, under the head of Alexander Tarbeev, whose influence encouraged me to pursue my love for letters. As a result William received Letter.2, Granshan and NewCyrillic awards. I was also selected for ‘Young designer of the year’ by Akzia newspaper in 2011.
Alongside my studies, I’ve been doing commercial type-related projects as a freelancer since 2009, collaborating with various publishing houses and design studios in the field of corporate identity, lettering and type design. I also have a 3-year experience as a full-time graphic designer in Art direction department of the News and Information Agency RIA Novosti (2009–2012). Several of the projects I was working on were selected in Russian Design Rating, one of them received a bronze in Artistic catalogue category of ED Awards in 2012.
Since graduating, I always wanted to have the opportunity to continue my studies in Type Design, at a school that focuses not only on producing typefaces, but on the process of calligraphy, sketching and searching for new directions in design. This is why, last year I moved to the Hague to study on the TypeMedia course at The Royal Academy of Art (KABK). My goal now is to find the way to combine my drawing skills and my knowledge of programming into my design process and see how that affects the end result.
Although my final project at Type and Media is not focused on Cyrillics, I enjoy the process of designing Cyrillic. During my time in The Hague, I had many discussions with my colleague Krista Radoeva about the peculiar differences between Russian and Bulgarian Cyrillics, which lead to further investigation of this topic. This inspired me to do research and collect materials on the history of the Cyrillic script and I hope that in the future my work will be able to improve the look of contemporary Cyrillic typography.
Since 2013 I work as an independent professional based in Moscow. Besides commercial projects, I work on completing my graduation typeface Chimera, which recently received a Certificate of Excellence in Type Design at the Type Directors Club and Morisawa Award.
Where to buy: Contrast Foundry