Fedra Sans reflects the original design brief: it humanises the communicated message and adds simple, informal elegance. An important criterion was to create a typeface which works equally well on paper and on the computer screen. The typeface attempts to reconcile two opposing design approaches: rigidity of a typeface designed for the computer screen and flexibility of a handwriting.
Design: Fedra Sans was designed in 2001 by Peter Biľak. In 2004 the OpenType Pro version was released with Cyrillic designed by Gayaneh Bagdasaryan.
Design, Publisher, Copyright, License
Design: Peter Biľak
Copyright 2001 by Typotheque. All rights reserved.
Peter Biľak works in the field of editorial, graphic, and type design. In 1999 he started Typotheque type foundry, in 2000, together with Stuart Bailey he co-founded art & design journal Dot Dot Dot, in 2012 he started Works That Work, a magazine of unexpected creativity, in 2015 together with Andrej Krátky he co-founded Fontstand.com, a font rental platform. He collaborates with the choreographer Lukas Timulak on creation of modern dance performances, and together they started Make-Move-Think.org, a foundation for interdisciplinary artistic collaborations. Peter is teaching at the Type & Media, postgraduate course at the Royal Academy of Arts, The Hague. Member of AGI (Alliance Graphique Internationale).Web:
Typefaces: Fedra Sans, Fedra Sans Alt Pro, Brioni Text Pro, Lava, Irma Text, Greta Text, Greta Display Pro, Karloff Positive, October, Ping
Fedra Sans in Use
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