Lava was designed for magazine use, but far transcends its original application. It’s a no-nonsense workhorse typeface that can handle large quantities of text with ease. It’s legible and harmonious at small sizes, sophisticated and elegant at large sizes.
Some languages such as Bulgarian, Serbian or Macedonian prefer variant letter shapes to the standard Cyrillic shapes. Local feature replaces standard forms with localized ones when the text is tagged Bulgarian, Serbian or Macedonian.
Lava (Latin and Greek) was designed in 2013 by Peter Biľak. Cyrillic version was designed by Ilya Ruderman.
Design, Publisher, Copyright, License
Design: Peter Biľak
Cyrillic design: Ilya Ruderman
Copyright 2013 by Typotheque. All rights reserved.
Specimen: Lava (PDF, 1 MB)
Peter Biľak works in the field of editorial, graphic, and type design. In 1999 he started Typotheque type foundry, in 2000, together with Stuart Bailey he co-founded art & design journal Dot Dot Dot, in 2012 he started Works That Work, a magazine of unexpected creativity, in 2015 together with Andrej Krátky he co-founded Fontstand.com, a font rental platform. He collaborates with the choreographer Lukas Timulak on creation of modern dance performances, and together they started Make-Move-Think.org, a foundation for interdisciplinary artistic collaborations. Peter is teaching at the Type & Media, postgraduate course at the Royal Academy of Arts, The Hague. Member of AGI (Alliance Graphique Internationale).Web:
Typefaces: Fedra Sans, Fedra Sans Alt Pro, Brioni Text Pro, Lava, Irma Text, Greta Text, Greta Display Pro, Karloff Positive, October, Ping
Ilya Ruderman, a type and graphic designer and teacher, lives and works in Moscow. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). After completing the program, he returned to Moscow. Since 2007 he has supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. He has been very active as a consultant on Cyrillic since 2008. In 2014 he founded CSTM Fonts with Yury Ostromentsky.Web:
Typefaces: BigCity Grotesque Pro, Austin, Graphik, Marlene, Druk, Druk Text, Druk Text Wide, Druk Wide, Druk Condensed, Thema, Proto Grotesk, Dala Floda, Stag Sans, Stag, Kazimir & Kazimir Text, Navigo, Stratos, Parmigiano Text Pro, Parmigiano Piccolo Pro, Parmigiano Caption Pro, Parmigiano Headline Pro, Giorgio Sans, Lava, Styrene A, Styrene B, Proto Grotesk, Atlas Grotesk, Permian, Moscow Sans, Typonine Sans
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