Stag was designed by Christian Schwartz in 2005 for the US edition of Esquire, and have been two of our most popular families ever since their release in 2007. We had many requests for Cyrillic and Greek support for these families, so starting in 2012 we began collaborations with Russian type designer Ilya Ruderman in Moscow (who also drew the delicate Austin Cyrillic) and Greek type designer Panos Haratzopoulos outside Athens. The result is Cyrillic and Greek versions of Stag that seamlessly blend with Schwartz’s original Latin version, while reflecting current conventions and contemporary approaches to type design in Greece and countries that use the Cyrillic alphabet, being neither overly Westernized or overly reverent to past traditions.
Stag add to the small but growing number of typefaces with native support for Bulgarian and Serbian Cyrillic, which differ significantly from the Russian forms. Stag can be licensed with Greek or Cyrillic support, or in an “LCG” (for “Latin/Cyrillic/Greek”) version that supports all three alphabets. All three versions include support for all languages covered by our standard Latin character set.
Stag mixes the contemporary taste for large x-heights and quirky details with influences from continental Egyptians of the early twentieth century. With more overt personality than a more sober family like Guardian Egyptian, Stag is perfect for situations that
need a little more distinction in typographic dress.
Design: Commercial Type, Christian Schwartz
Cyrillic design: Ilya Ruderman
Greek design: Panos Haratzopoulos
Copyright 2014 by Commercial Type. All rights reserved.
Specimen: Stag (PDF)
Christian Schwartz, a type designer and one of the founders of the type foundry Commercial Type, lives and works in New York. A graduate of Carnegie Mellon University in Pittsburgh, Pa., he worked for a time at MetaDesign in Berlin. After returning to the United States, he worked at type studio Font Bureau, going independent in 2001. In 2007, he and London designer Paul Barnes founded Commercial Type. The studio’s projects include typefaces for The Guardian, Esquire, T (The New York Times Style Magazine), the Empire State Building and Sprint. Also in 2007 Schwartz was awarded the prestigious Prix Charles Peignot, given to designers under 35 years of age for “outstanding contributions to type design.” He has been on the short list of the Museum of Design, in London, as Designer of the Year and was rated among the top 40 most influential designers under 40 years of age by Wallpaper* and on Time’s list of top 100 designers.
Ilya Ruderman, a type and graphic designer and teacher, lives and works in Moscow. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has a MA degree in type design from the Type & Media program at the Royal Academy of Art in the Hague (2005). After completing the program, he returned to Moscow. Since 2007 he has supervised the curriculum in type and typography at the British Higher School of Art and Design in Moscow. He has been very active as a consultant on Cyrillic since 2008. In 2014 he founded CSTM Fonts with Yury Ostromentsky.Web:
Typefaces: BigCity Grotesque Pro, Austin, Graphik, Marlene, Druk, Druk Text, Druk Text Wide, Druk Wide, Druk Condensed, Thema, Proto Grotesk, Dala Floda, Stag Sans, Stag, Kazimir & Kazimir Text, Navigo, Stratos, Parmigiano Text Pro, Parmigiano Piccolo Pro, Parmigiano Caption Pro, Parmigiano Headline Pro, Giorgio Sans, Lava, Styrene A, Styrene B, Proto Grotesk, Atlas Grotesk, Permian, Moscow Sans, Typonine Sans
Greek commercial foundry specializing in Greek fonts, founded in 1995 by Yiannis Kouroudis (b. 1962) and Panagiotes (Panos) Haratzopoulos (b. 1967). Regulars include Y. Kouroudis, T. Katsoulidis, D. Arvanitis, H. Charalambous and A. Bakas. Some fonts are Greek extensions of the major Western fonts (such as the fonts from Emigre, Berthold Types, FontShop, Commercial Type, Font Bureau, House Industries).
Buy at: COMMERCIALTYPE