Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes – that’s the way Mixa was born. Those two faces of the new font family make it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.
Sensa is a handmade font family consisting of 21 fonts. It is divided into 6 subfamilies, each contributing to its wide range of visual power – Sensa Brush, Sensa Pen, Sensa Wild, Sensa Sans, Sensa Serif and Sensa Goodies. Only your imagination is the limit. Pick any of the font as a leading one and the rest of the fonts can accompany it with ease. To work together in all possible combinations, all fonts in this package were created with that simple idea in mind. Sensa is applicable for almost every design project – from advertising, packaging, editorial and branding, to web and screen projects. For a beauty and tender sensation or for more male and strong communication – you have a wide selection.
Madelyn is handwritten script font based on the expression of real handwriting. Amiable and organic, it is perfect if you want to convey individuality and style. It’s written by calligraphy pen with casual dry strokes and a signature style.
A script containing upper and lowercase characters with pleasant low x-height and high ascender and descenders. Also numerals and a large range of punctuation and symbols. More than 100 ligatures are also available for upper and lowercase characters – double-letters which flow more naturally. Contextual alternates are part of the Open Type feature. Madelyn Doodles includes set of handmade ornaments, icons and swashes that can help you for your key visual.
Madelyn is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, titles, blogs, everything that includes personal charm.
Vasil Stanev
Typographer and type designer in Sofia, Bulgaria, b. 1982, Sofia, who worked mostly for Svetoslav Simov’s typefoundry, Fontfabric, before setting up his own shop, VSF (Vasil Stanev Foundry).
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Svetlin Balezdrov
Svetlin Balezdrov was born in 1981 in Sliven, Bulgaria. He graduated in Poster and Visual Communication from the National Academy of Art, Sofia. He is a doctor of History of Art and Fine Arts. At present he is a lecturer in Advertising Design at the National Academy of Art, Sofia. He works in the fields of typography, graphic design and animation. In 2018, Svetlin Balezdrov and Svetoslav Simov co-designed the humanist sans typeface family Squad at Fontfabric.
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Jacklina Jekova
Calligrapher and graphic designer in Sofia, Bulgaria. She completed her BA in Graphic design and MA in Calligraphy at the National Academy of Art in Sofia. After her graduation she started working as a type designer at Fontfabric Type Foundry and embarked on a PhD, still at National Academy of Art.From 2018 she started working with Todor Georgiev and founded together Letter Collective. The studio offers graphic design services related to type design, lettering, calligraphy, typography, visual communication and brand identity.
Typefaces: Zing Rust, Singel, Madelyn, Grafema Demo, Grafema LC
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Stan Partalev
Type designer at Fontfabric in Sofia, Bulgaria. He was part of the Fontfabric team that designed the 521-font family Zing Rust, Zing Sans Rust and Zing Script Rust in 2017. In 2018, he published the free all caps lapidary typeface Colus at Fontfabric. In 2019, Svet Simov, Radomir Tinkov and Stan Partalev designed the 72-strong Noah family of geometric sans typefaces, which is partitioned into four groups by x-height from small (Noah Grotesque) to medium (Noah and Noah Text) to large (Noah Head).
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Radomir Tinkov
Radomir Savov Tinkov (RST Fonts) is a Bulgarian type designer. Creator of these typefaces:monoline sans typefaces Usumaru (2009) and Shinbi (2009), RST (2009, techno), Chibi (2009), Toast (2009, ultra-black), the military stencil Pondera (2009), the fat counterless typeface Tenshu (2010), the monoline extended sans family Cillian (2010), the fat geometric typeface Tenshu Extra Black (2011). The monoline sans face Selly (2011), the headline sans Alasar. Nexa Rust (2014, Fontfabric) is a set of 83 weathered letterpress emulation fonts that evolved from Nexa and Nexa Slab. This was a project by Radomir Tinkov, Ani Petrova, Svetoslav Simov and Vasil Stanev. Muller (2015, Fontfabric). This Hairline-to-Heavy 20-weight Latin / Cyrillic sans family was designed for universal use, and is a tad wider than normal. It is characterized by flush vertical or horizontal terminals. Muller Narrow was added in 2016.
In 2015, Ani Petrova, Svetoslav Simov and Radomir Tinkov co-designed the 214-style mammoth font system Intro Rust, a rough version of Fontfabric’s Intro. the fonts are partitioned over Intro Rust, Intro Script, Intro Head and Intro Goodies. Qanelas (2015). A 20-weight geometric sans typeface family (+Cyrillic). Made warmer and friendlier in the 2016 release of Qanelas Soft. Sensa (2015, Radomir Tinkov and Svetoslav Simov) is a hand-crafted 21-style family divided into the subfamilies Sensa Brush, Sensa Pen, Sensa Wild, Sensa Sans, Sensa Serif and Sensa Goodies. Maya Script. Alasar (2015). A narrow sans family. Ridley Grotesk (2016). A modern sans serif workhorse family. Gilroy (2016). A 20style geometric sans typeface family.
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Plamen Motev
Type designer based in Sofia, Bulgaria. As a student working with Fontfabric in Sofia, Bulgaria, Plamen Motev designed the free circle-themed slightly condensed retro typeface Phenomena (done together with Radomir Tinkov) and the free 8-style narrow grotesque family Akrobat for Latin and Cyrillic in 2016. In 2017, Plamen Motev and Svetoslav Simov co-designed Uni Neue, a total remake of Fontfabric’s earler typeface Uni Sans (2009). He was part of the Fontfabric team that designed the 521-font family Zing Rust, Zing Sans Rust and Zing Script Rust in 2017. Typefaces from 2018: Gilam (by Ivan Petrov, Plamen Motev and Svetoslav Simov: based on DIN, but more geometric and with obliquely cut terminals).
Typefaces: Akrobat, Gilam, Uni Neue, Phenomena
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